In common with the other Conrad I have read, the novel is full of beautiful description and is also well-plotted; really being quite exciting. The narration starts out in the hands of a completely anonymous individual who just happens to know most of the main characters, and then shifts closer to the action. It's definitely effective.
The characters are also quite compelling. The evil trio is particularly malevolent and really keeps one's attention. They would do fantastically well in a film, and there have been quite a few films made of the novel. (See this IMDB page for an extensive Conrad filmography.) The only thing that bothered me was the relationship between the recluse and the woman. They have a series of conversations that read extremely badly, and they never manage to say anything that connects either with the reader or the other person. I decided after finishing the book that this was deliberate; part of the point of the novel is that Heyst, the recluse, is unable to really connect (shades of Forster) with others, let alone a woman.
I suppose it's also worth saying that the novel espouses its fair share of racist and sexist attitudes, typical of the era when it was written (pre-WWI).
But where's my segue? Well, the shoot-out page was also "slash-dotted"; and here's the author's interesting take on it all.
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